 |
 |
 |
  |
|
EARLOM, Richard (1743-1822) after Franz SNYDERS (1579-1657)
A Herb Market
London: Published by John Boydell, [1779]. Mezzotint printed on laid paper. Very good condition apart from some overall light foxing and a small water stain in the right margin. Top of sheet is slight trimmed. Plate mark: 16 1/4 x 22 5/8 inches. Sheet size: 19 1/8 x 26 5/8 inches.
A beautifully rendered print after the Dutch master of still life Franz Snyders, from John Boydell's 'Houghton Gallery' series.
This stunning print, reflects Earlom's skill as an engraver as well as Snyder's genius as a painter. Although Earlom studied under the engraver Cipriani, he was essentially self-taught in the art of mezzotint engraving. His meticulous yet delicate technique managed to accomplish new levels of technical superiority not thought possible in mezzotint, and his unique style of creating intricate details and textures allowed him to produce some truly outstanding images. Earlom began a close working relationship with John Boydell in 1774, and he contributed hundreds of engravings to the publisher's Shakespeare Gallery and Liber Veritas series after the drawings of Claude Lorrain.
One of several market scenes by Snyders, the painting on which this fine plate is based was once part of Sir Robert Walpole's celebrated collection of Old Masters at his Gallery at Houghton. In 1779, Walpole's grandson sold the majority of the gallery's contents to Catherine the Great, Empress of Russia. In an effort to preserve a national record of this important collection, the eminent publisher and print seller John Boydell commissioned several prominent engravers including Earlom to produce a series of mezzotints of Houghton's key works. Known as the Collection of Prints Engraved after the most Capital Paintings in England, Boydell's elaborate two-volume publication of engravings after artists like Van Dyck, Teniers and Rubens was begun in 1781 and eventually completed in 1788. Its finely detailed one hundred and twenty-eight plates were highly regarded, and the project was instrumental in solidifying Boydell's reputation as a preeminent print publisher.
One of the most influential figures in the history of English printmaking, John Boydell was instrumental in re-establishing England's flagging reputation as a creative nucleus of printmaking. He was not only an accomplished engraver and an industrious publisher, but as a print seller, he came to dominate the English print trade. He is probably best known as the originator of The Shakespeare Gallery, which made him one of the most successful print-sellers of his time.
Clayton, The English Print 1688-1802, p. 115-116, 209 & 230.
|
#12836 $1,750.00  |
© 2002-2005 Donald A. Heald
|
|
  |
 |
 |
 |
|
|