BODMER, Karl (1809-1893)
[Tab. 32] Paris, Coblenz and London: 1839-42]. Engraving with roulette work by Geoffroy after Bodmer, proof before the addition of aquatint and before all letters. Sheet size: 24 11/16 x 18 3/16 inches. Plate mark: 20 x 14 3/8 inches.
A very rare proof before the addition of aquatint and before all letters
A fine full-length double-portrait composed by Bodmer from individual portraits executed at Fort Union in June of 1833. The figure in the foreground is Pitätapiú, a young warrior and member of the Stone band with his hair ornamented with two small shells. On his left arm is a rawhide shield, painted and with an amulet attached to assure success on horse raids. A riding whip with a wooden handle hangs from a fur loop around his wrist. In his right hand he holds a combination bow/lance that was probably only for ceremonial purposes. The name of the figure in the background is not known, but it is recorded that he was initially very solemn until Bodmer's music box made him laugh. His quilted and beaded shirt is fringed with leather rather than the more usual hair. He cradles a much-prized trade flintlock in the crook of his left arm.
Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures.
Graff 4648; Howes M443a; Pilling 2521; Sabin 47014; Wagner-Camp 76:1.