BODMER, Karl (1809-1893)
Mehkskeme-Sukahs. Blackfoot-chief. Tátsicki Stomick. Piëkann Chief
[Tab. 45] [Leipzig: Schmidt and Guenther, 1922]. Aquatint engraving by Allais after Bodmer, issue without artist or engraver's names, or imprint lines for France or Germany. Tears to lower and right margins, surface soiling to outer left margin, not affecting plate area. Sheet size: 17 5/8 x 24 3/4 inches. Plate mark: 13 5/8 x 17 3/4 inches.
From the scarce Leipzig edition printed from the original copper-plates. Limited in number, the prints from the Leipzig edition are more scarce than, and compare favorably to, the first edition. (David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 85, p.18)
A fine half-length double portrait by Bodmer of two Blackfoot chiefs: Prince Maximilian referred to Mehkskéhme-Sukáhs [`Iron Shirt'] as the most distinguished of the several chiefs who gathered to welcome the arrival of the keelboat Flora at Fort McKenzie on 9 August 1833. At the time he was wearing a lace-trimmed scarlet uniform obtained from the British traders as a gift. He posed for this portrait on August 11th wearing a hide shirt decorated with otter fur, beadwork and metal trade buttons. In his hair are feathers, a bear claw and what appears to be a small ermine with blue beads for eyes. Tátsicki-Stomíck [`Middle Bull'] was probably the principal chief of the Piegan Blackfoot. He was a serious thoughtful man who had sought to maintain an amicable trading relationship between his people and the various companies competing for hides and pelts. Maximilian had particularly admired a shirt of his made from the skin of a bighorn sheep, richly ornamented with ermine, feathers and tufts of hair, and Maximilian lamented that for the present portrait he wore a much simpler shirt decorated with simple beadwork. Karl Bodmer's images show great versatility and technical virtuosity and give us a uniquely accomplished and detailed picture of a previously little understood (and soon to vanish) way of life. Swiss-born Bodmer was engaged by Prince Maximilian zu Wied-Neuwied (1782-1867) specifically to provide a record of his travels in North America, principally among the Plains Indians. In the company of David Dreidoppel (Prince Maximilian's servant and hunting companion), their travels in North America were to last from 1832 to 1834. Well-armed with information and advice, the party finally left St.Louis, on the most important stage of their travels, aboard the steamer Yellow Stone on April 10 1833. They proceeded up the treacherous Missouri River along the line of forts established by the American Fur Company. At Bellevue they encountered their first Indians, then went on to make contact with the Sioux tribe, learning of and recording their little known ceremonial dances and powerful pride and dignity. Transferring from the Yellow Stone to another steamer, the Assiniboin, they continued to Fort Clark, visiting there the Mandan, Mintari and Crow tribes, then the Assiniboins at Fort Union, the main base of the American Fur Company. On a necessarily much smaller vessel they journeyed through the extraordinary geological scenery of that section of the Missouri to Fort Mackenzie in Montana, establishing a cautious friendship with the fearsome Blackfeet. From this, the westernmost point reached, it was considered too dangerous to continue and the return journey downstream began. The winter brought its own difficulties and discomforts, but Bodmer was still able to execute numerous studies of villages, dances and especially the people, who were often both intrigued and delighted by his work. The portraits are particularly notable for their capturing of individual personalities, as well as forming a primary account of what were to become virtually lost cultures.
David C. Hunt, "Karl Bodmer and the American Frontier," Imprint/Spring 1985, p.18. Cf.Graff 4648; cf. Howes M443a; cf. Pilling 2521; cf. Sabin 47014; cf. Wagner-Camp 76:1.