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Tshusick, an Ojibway Woman. Thomas L. MCKENNEY, James HALL.

Tshusick, an Ojibway Woman

Philadelphia: E.C. Biddle, 1837. Hand-coloured lithograph. Excellent condition. Sheet size: 20 x 14 1/2 inches.

A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record of a vanished way of life.

Rumored to have walked from Detroit through the wintry wilds after her husband's death, Tshusick appeared in Georgetown seeking the protection and guidance of First Lady Louisa Adams, whose sister, Harriet Boyd, she claimed to have known while working in the household of Lewis Cass, the governor of Michigan. The Chippewa woman quickly became Mrs. Adams' social companion and the darling of Washington society, charming everyone she encountered with her fluency in French, flawless etiquette, and remarkable skill as a seamstress. She was later baptized in Georgetown and named Lucy Cornelia Barbour after the daughter and wife of the Secretary of War. Always somewhat skeptical of the authenticity of her story, McKenney wrote to Governor Cass, who informed him that Tshusick, whose French husband was alive and working as a scullion in the Boyds' house, was a clever and experienced con artist. On the verge of being exposed as a fraud, she abruptly left Washington, and despite McKenney's dogged efforts to find her, she consistently eluded capture. The Chippewa (Ojibwa) were the most widespread and powerful tribe in the Great Lakes area and primarily inhabited the Northeastern region of North America. McKenney and Hall's 'Indian Tribes of North America' has long been renowned for its faithful portraits of Native Americans. The portraits are largely based on paintings by the artist Charles Bird King, who was employed by the War Department to paint the Indian delegates visiting Washington D.C., forming the basis of the War Department's Indian Gallery. Most of King's original paintings were subsequently destroyed in a fire at the Smithsonian, and their appearance in McKenney and Hall's magnificent work is thus our only record of the likenesses of many of the most prominent Indian leaders of the nineteenth century. Numbered among King's sitters were Sequoyah, Red Jacket, Major Ridge, Cornplanter, and Osceola. After six years as Superintendent of Indian Trade, Thomas McKenney had become concerned for the survival of the Western tribes. He had observed unscrupulous individuals taking advantage of the Native Americans for profit, and his vocal warnings about their future prompted his appointment by President Monroe to the Office of Indian Affairs. As first director, McKenney was to improve the administration of Indian programs in various government offices. His first trip was during the summer of 1826 to the Lake Superior area for a treaty with the Chippewa, opening mineral rights on their land. In 1827, he journeyed west again for a treaty with the Chippewa, Menominee , and Winebago in the present state of Michigan. His journeys provided an unparalleled opportunity to become acquainted with Native American tribes. When President Jackson dismissed him from his government post in 1830, McKenney was able to turn more of his attention to his publishing project. Within a few years, he was joined by James Hall, a lawyer who had written extensively about the west. McKenney and Hall saw their work as a way of preserving an accurate visual record of a rapidly disappearing culture. (Gilreath).

Cf. BAL 6934; cf. Bennett p.79; cf. Field 992; cf. Howes M129; cf. Lipperhiede Mc4; cf. Reese, American Color Plate Books p. 24; Sabin 43410a.

Item #39658

Price: $700.00

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